UPDATE

I sincerely apologize for not updating my blog recently. I am currently committed to a number of volunteer opportunities that take up the majority of my time. I promise I will come back in full force as soon as I find the time to create valuable posts. I want to sincerely thank everyone for their ongoing support!

Miller Gallery is BEAUTIFUL

(above: Pink Still Life by Pang Jen)

B E A U T Y

Miller Gallery
Opening Reception Friday April 10, 6-8 pm
Show continues through April 24

Forget deep, symbolic and melancholy art and celebrate all things superficially beautiful this Friday at Miller Gallery. Times are tough and perhaps we could all spend a Friday night with some colorful, uplifting and unabashedly beautiful art. Artists include "Don Hatfield, renowned for his timeless, classic impressionist paintings of mothers and children, frolicking on beaches, sharing loving moments in the loveliness of blooming gardens; Colin Berry, whose contemplative, measured and meticulous paintings often combine landscape and still life, are serenely classical and quietly poetic; Ellen Diamond, whose eye for pattern and color are reflected in her vibrant and vivid depictions of the French and Italian countryside, seascapes and village scenes; Pang Jen, for many years a gallery favorite, whose loose impressionist figurative and landscape paintings are exercises in soft, harmonious color; and popular local artist Ron Johnson, well-known for his paintings of Cincinnati scenes and landmarks as well as captured memories of European travel. "

Red Tree Turns Over a New Leaf

RedTree Art Opening

Friday, April 10, 6-10 pm

Red Tree Gallery (3210 Madison Rd.)

As if Red Tree could be even more fabulous... this weekend marks the debut of their first show at their new Madison Road location. As per usual, there will be wine and live music. Featured local artists include Teressa Barnhill, Scott Dannenfelser, Diane Debevec, Maureen Holub and Dick Macke. I have yet to check out their new spot, but the street front location should definitely put them in the spotlight.

Lobsters Are Surreal

("Lobster Dress" by Elsa Schiaparelli with images by Salvador Dali)

Surrealism and Fashion

Wednesday, March 31, 7 pm

Cincinnati Art Museum

$10 non-members, $5 members

"Because fashion design can be outrageous and Surrealism is a flamboyant art style, it is not surprising that Surrealist artists and trend-setting fashion designers often share a similar love of extravagance" (New York Times, 1988). It is, indeed, only natural that two artistic cliques renown for their intentional outrageousness would collaborate. The most infamous of all surrealist fashionistas was Elsa Shiaparelli, whose work is still studied by art historians and design design majors alike. The Chief Curator of the Museum at the Fashion Institute of Technology Valerie Steele will be on hand to provide more insight into all things surreal and fashionable.

Cincinnati's Fabulous Future

(above: "The Money Spender and His Wife" by Tim Parsley)

Narrative Figuration

Opening Reception Friday, March 27th, 5:30-9 pm

Showing March 27- May 1

Henry James called Frank Duveneck "the unsuspected genius." Perhaps a man hailing from nineteenth century Covington, Ky was was not suspected to be either an artist or a genius. Duveneck was both. He attracted a huge following, known as the "Duveneck Boys," which included Twatchman and Herman Wessel (among others). One of his most famous works, The Whistling Boy (1872) is permanently on display at the CAM.

In Covington, Sandra Small's gallery is exhibiting artists who they believe comprise a new Cincinnati School of Painting. Some of them champion Classical Realism, a style that celebrates the beauty of the past and exhibits a realism inspired by photography while others are more "painterly and expressive." This "golden age" is inspired by Vermeer, VanDyck, Rembrandt, Giacometti, Freud, Bacon, Kitaj and, appropriately, Duveneck. Many of these artists are also recent graduates of UC's MFA program, which almost ensures that works will be both fresh and accomplished.

It is also certainly worth noting that exhibiting artist Emil Robinson will have a personal show at the Keystone Gallery at the Taft Museum on August 30.

Matrimony As a Rite of Disaster

(above: Mother-In-Law by Brad Smith)

Not In My Wedding Album

March 20-May 9, 2009

Opening Reception March 20, 5-9 pm

Prairie Gallery

The beauty of art is that it is sometimes unsightly. Photographs especially sometimes have a way of capturing the moments in life we'd rather forget. At one time or another we've all been victims of the "please don't post that on your Webshots/Facebook profile/ frame it on your mantle" photograph.

A wedding is a perfect opportunity for any photographer to capture such images. Although the bride and groom typically assemble an album of flawless wedding day pictures, most weddings do not go off "without a hitch." That is what makes this show at Prairie so entertaining.

I think the premise of this show is both light-hearted and brilliant. It shows that even the most sacred and beautiful of human institutions can be chaotic and and imperfect. The overall message of the show is, perhaps, that we should stop taking ourselves so darn seriously.

Speaking Primarily About Installation

(above: Robert Iriwn's Primaries and Secondaries at the Museum of Contemporary Art San Diego)

Contemporary Conversations
Thursday, March 19, 6-8 pm
Contemporary Arts Center
Free for members, $7.50 adults, $5.50 students




It seems antithetical to the 1960s contemporary ideal that an artist exploring light and space could be avant-guarde. L.A.-based artist Robert Irwin proved, however, that not everything had to be so dour. Through his now-iconic installations, Irwin expertly explored light and space as the basis of human perception.

In his book "Seeing Is Forgetting the Name of the Thing One Sees," Lawrence Weschler recorded the conversations he had with Irwin and described the transient and awe-inspiring nature of his works. Because Irwin's works were transitory installations, this book is one of the few ways that contemporaries can view them.

This Thursday, local art personality Matt Morris will lead a discussion of Irwin's work as seen in Weschler's book. Although it my be too late to read the entire manuscript, I would suggest picking it up and scanning over key elements if you intend on attending the lecture. It is certainly well-written and full of insight and vivid description.